09644cam0 2200481 4500003003000000005001700030035002200047100004100069101002500110101000800135102000700143105001800150106000600168181002500174181002000199182002100219182001100240183002700251200036600278210009100644214002500735215003800760320004800798328007500846330185200921330168002773330177304453330161506226456038807841541024608229606006208475606008008537608005808617700004208675700004108717701005108758701005108809702005108860702003508911711011508946711007509061801002609136http://www.sudoc.fr/16899305820260605143455.0 a(OCoLC)1124745824 a20130426d2013 k y|frey50 ba0 afredfredeng2639-2 afre aFR aa m 001iy ar 6z01ctxt2rdacontent 16z01ai#bxxxe## 6z01cn2rdamedia 16z01an 6z01anga2RDAfrCarrier1 aLe décor des tables de Canons d'Eusèbe dans l'enluminure médiévale arménienne et l'iconographie de la Jérusalem célesteeétude comparative sur le thème de la Jérusalem céleste dans l'art chrétien du IVe à la fin du XIIIe sièclefRouzanna Amirkhaniangsous la direction de Jean-Pierre Mahégprésident du jury Jean-Piere Sodini aVilleneuve d'AscqcAtelier National de Reproduction des Thèsesd2013gANRT diffusion 0a[S.l.]c[s.n.]d2013 a2 vol. (348-83 f. )cill. d30 cm aBibliogr. f. 292-348. Notes bibliogr. Index 0bThèse de doctoratcHistoire du Caucase chrétieneParis, EPHEd2013 aLE MYTHE DE LA JÉRUSALEM CÉLESTE TIENT UN RÔLE SPECIAL DANS L’IMAGINAIRE RELIGIEUX DE LA CHRÉTIENTÉ ANTIQUE ET MÉDIÉVALE. IL A DONNÉ NAISSANCE À UN VASTE THÈME ICONOGRAPHIQUE QUI A EU DE TRÈS NOMBREUSES TRADUCTIONS DANS L’ART SACRÉ CHRÉTIEN, AUSSI BIEN EN ORIENT QU’EN OCCIDENT. DE CE MATÉRIEL ICONOGRAPHIQUE MAINTES FOIS ANALYSÉ DANS LA RECHERCHE MODERNE, A ÉTÉ OMIS LE MOTIF ARCHITECTURAL QUI SERT À ENCADRER, DÈS LA HAUTE ÉPOQUE DE L’ICONOGRAPHIE CHRÉTIENNE, LES TABLES DE CONCORDANCE ÉVANGELIQUE INVENTÉES PAR EUSÈBE, ÉVÊQUE DE CÉSAREE, DANS LA PREMIÈRE MOITIÉ DU IVE SIÈCLE. CE DÉCOR FUT ENSUITE REPRIS, DÈS L’ÉPOQUE PALÉOCHRÉTIENNE, DANS DE NOMBREUX CODICES GRECS, LATINS, ARMÉNIENS, SYRIAQUES, GÉORGIENS ET ÉTHIOPIENS. ANALYSANT L’ENLUMINURE DES MANUSCRITS ARMÉNIENS MÉDIÉVAUX, LA THÈSE EXAMINE LA GENÈSE DE L’ENCADREMENT ARTISTIQUE DES TABLES DE CANONS DANS SON RAPPORT ÉTROIT AVEC LES ŒUVRES DE L’ANTIQUITÉ CHRÉTIENNE, QUI ATTESTENT LA TRANSPOSITION EN IMAGES DE L’ÉGLISE DU SAINT-SÉPULCRE DE JÉRUSALEM ET TENDENT À ÉVOQUER LA JÉRUSALEM CÉLESTE PAR LA REPRÉSENTATION DE LA CITÉ TERRESTRE ET DE SES SANCTUAIRES SYMBOLIQUES. L’ÉTUDE SUIT ÉGALEMENT L’ÉVOLUTION DE LA TRADITION ICONOGRAPHIQUE DES TABLES DE CANONS AU SEIN DE L’ENLUMINURE MÉDIÉVALE, OU ELLE SE CHARGE DE MOTIFS ET DE CONTENUS NOUVEAUX. DES LIENS S’ÉTABLISSENT, TANT SUR LE PLAN FORMEL QUE SÉMANTIQUE, ENTRE LE NOUVEL ENCADREMENT DES TABLES EUSÉBIENNES ET LES IMAGES EMBLEMATIQUES DE LA JÉRUSALEM CÉLESTE DANS L’ICONOGRAPHIE MÉDIÉVALE. ON S’EFFORCE AINSI D’OFFRIR LE PREMIER EXAMEN CIRCONSTANCIÉ CONFRONTANT DEUX THÈMES DE L’ICONOGRAPHIE CHRÉTIENNE QUI ONT ÉTÉ ABORDÉS JUSQU’ICI DISTINCTEMENT aTHE MYTH OF HEAVENLY JERUSALEM HOLDS A SPECIAL PLACE IN THE RELIGIOUS IMAGERY OF THE CHRISTIAN WORLD FROM ANTIQUITY TO THE MIDDLE AGES. IT HAS GENERATED NUMEROUS ARTISTIC INTERPRETATIONS WITHIN EASTERN AND WESTERN PICTORIAL TRADITIONS. SINCE RECENT YEARS, MUCH ATTENTION HAS BEEN ACCORDED TO THIS SUBJECT IN MODERN RESEARCH. HOWEVER, THE ARCHITECTURAL MOTIF WHICH SERVES AS ARTISTIC FRAMEWORK TO THE CANON TABLES HAS BEEN OMITTED FROM THIS RICH ARTISTIC MATERIAL. THE SYNOPTIC INVENTION OF EUSEBIUS, BISHOP OF CAESAREA, AS WELL AS ITS ARTISTIC DECORATION INTEGRATED CHRISTIAN CODICES AS EARLY AS THE BEGINNING OF THE 4TH CENTURY AND BECAME ONE OF THE WIDESPREAD MOTIFS IN GREEK, LATIN, ARMENIAN, SYRIAN, GEORGIAN AND ETHIOPIAN ICONOGRAPHIC TRADITIONS. TAKING AS A BASIS THE RICH ICONOGRAPHIC MATERIAL WITHIN ARMENIAN ILLUMINATED MANUSCRIPTS, THIS DISSERTATION STUDIES THE ARCHITECTURAL AND ARTISTIC FRAMEWORK OF CANON TABLES’ DECORATION ON THE BACKGROUND OF ICONOGRAPHY OF HEAVENLY CITY IN EARLY CHRISTIAN ART. THE STUDY ESTABLISHES MANY TIES BETWEEN THIS PARTICULAR ARCHITECTURAL MOTIF IN BOOK ILLUMINATION AND THOSE CHRISTIAN REPRESENTATIONS THAT DEPICT THE ABSTRACT CONCEPT OF HEAVENLY JERUSALEM BY MEANS OF REAL TERRESTRIAL CITY AND ITS MOST IMPORTANT SANCTUARY, THE CHURCH OF THE HOLY SEPULCHRE OF JERUSALEM. THE PRESENT RESEARCH FOLLOWS THEN THE DEVELOPMENT OF CANON TABLES’ DECORATION WITHIN MEDIEVAL ARTISTIC TRADITION AND EXAMINES SOME IMPORTANT METAMORPHOSIS IN THEIR VISUAL LANGUAGE. ANALYSES ALLOW TO POSTULATE THE RELATION BETWEEN THIS TRANSFORMED MODEL OF CANON TABLES AND NEW ARTISTIC FORMULAS AND SYMBOLIC ASPECTS OF THE HEAVENLY JERUSALEM IN MEDIEVAL ART aThe myth of Heavenly Jerusalem holds a special place in the religious imagery of the Christian world from Antiquity to the Middle Ages. It has generated an important iconographic theme and numerous artistic interpretations within eastern and western pictorial traditions. Since recent years, much attention has been accorded to this subject in modern research. However, the architectural motif which serves as artistic framework to the Canon Tables establishing concordances between the texts of the Gospels has been omitted from this rich artistic material. The synoptic invention of Eusebius, bishop of Caesarea, as well as its artistic decoration integrated Christian codices as early as the beginning of the 4th century and became one of the widespread motifs in Greek, Latin, Armenian, Syrian, Georgian and Ethiopian iconographic traditions. Taking as a basis the rich iconographic material within Armenian illuminated manuscripts, this dissertation studies the architectural and artistic framework of Canon Tables decoration on the background of iconography of heavenly city in Early Christian art. The study establishes many ties between this particular architectural motif in book illumination and those Christian representations that depict the abstract concept of Heavenly Jerusalem by means of real terrestrial city and its most important sanctuary, the Church of the Holy Sepulchre of Jerusalem. The present research follows then the development of Canon Tables’ decoration within medieval artistic tradition and examines some important metamorphosis in their visual language. Analyses allow to postulate the relation between this transformed model of Canon Tables and new artistic formulas and symbolic aspects of the Heavenly Jerusalem in medieval art. aLe mythe de la Jérusalem céleste tient un rôle spécial dans l'imaginaire religieux de la chrétienté antique et médiévale. Il a donné naissance à un vaste thème iconographique qui a eu de très nombreuses traductions dans l'art sacré chrétien. De ce matériel iconographique maintes fois analysé dans la recherche moderne, a été omis le motif architectural qui sert à encadrer, dès la haute époque de l'iconographie chrétienne, les tables de concordance évangélique inventées par Eusèbe, évêque de Césarée, dans la première moitié du IVe siècle. Ce décor fut ensuite repris, dès l'époque paléochrétienne, dans de nombreux codices grecs, latins, arméniens, syriaques, géorgiens et éthiopiens. Analysant l'enluminure des manuscrits arméniens médiévaux, la thèse examine la genèse de l'encadrement artistique des Tables de Canons dans son rapport étroit avec les oeuvres de l'Antiquité chrétienne, qui attestent la transposition en images de l'église du Saint-Sépulcre de Jérusalem et tendent à évoquer la Jérusalem céleste par la représentation de la cité terrestre et de ses sanctuaires symboliques. L'étude suit également l'évolution de la tradition iconographique des Tables de Canons au sein de l'enluminure médiévale, où elle se charge de motifs et de contenus nouveaux. Des liens s'établissent, tant sur le plan formel que sémantique, entre nouvel encadrement des tables eusébiennes et les images emblématiques de la Jérusalem céleste dans l'iconographie médiévale. 0176227830tLe décor des tables de Canons d'Eusèbe dans l'enluminure médiévale arménienne et l'iconographie de la Jérusalem célesteoétude comparative sur le thème de la Jérusalem céleste dans l'art chrétien du IVe à la fin du XIIIe sièclefRouzanna AmirkhaniancLillenAtelier national de reproduction des thèsesd2014p2 microfichessLille-thèses aThe artistic decoration of the Eusebian Canon tables in medieval armenian miniature tradition and the iconography of heavenly Jerusalem comparative study on heavenly Jerusalem images in christian art from the 4th to the 13th centuryzeng 3028016386aArt arménien3027790347zMoyen âge2rameau 3027223965aEnluminure3027316211yArménie3027329917xMoyen âge2rameau 3027253139aThèses et écrits académiques2rameau 13245257446aAmirkhanianbRouzanna4070 4070aAmirkhanian-MezrakianbRouzanna 13027001741aMahébJean-Pierref1944-....4727 13028262905aSodinibJean-Pierref1940-....4555 13027001741aMahébJean-Pierref1944-....4727 13028262905aSodinibJean-Pierre02302652385XaÉcole pratique des hautes étudescParisbSection des sciences historiques et philologiques4985023026375478aÉcole pratique des hautes étudescParisc1868-....4295 3bAbesc20240508gAFNOR